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Turkish Culture
The westward movement of Turkic peoples headed by the Seljuks led to permanent Turkish settlement in Anatolia. Meanwhile, people of different ethnicities remained there. The Seljuks left their descendants a rich cultural legacy: Omer Khayyam, the mystic poet renowned throughout the world for his Rubaiyat, was a subject of the Seljuks of Persia; and Mevlana, the spiritual leader of the humanist philosophy of tolerance of Sufism, and founder of the Mevlevi order of the Whirling Dervishes, lived in Konya, the capital of the Anatolian Seljuk Empire, and the order he founded flourished there.

Then came the Ottoman Empire which made an impact on the course of world history. This empire came to life in the late 13th century as a small Turkish principality near Bursa on the northwestern frontier of the Anatolian Seljuk Empire and gradually found its place in history as one of the great empires of Renaissance Europe.

 

 

 

 

 

 

 

 

 

 

The Ottoman Empire reached its zenith in the 17th century. By that time it covered Asia Minor, the Crimea, the Caucasus, Mesopotamia, the Middle East, North Africa, and the Balkans. The Ottoman Empire followed in the footsteps of its ancestors and set up a system based on tolerance for the many differences among its subjects.

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  This cultural and religious tolerance and goodwill is best manifested in the reception of Jews fleeing the Inquisition in the 15th century. It was due to this exceptional system assuring stability and tolerance, and freedom of conscience that the Empire was able to hold together people of different religions, languages and races, and also succeeded in protecting and preserving different cultures and languages. Today, that tradition of tolerance and harmony lives on in modern Turkey, being enriched as time passes.

The Republic of Turkey was built on the ashes of the Ottoman Empire which ceased to exist at about the same time the Austro-Hungarian and Russian empires ended in the wake of the First World War. The Republic of Turkey was founded by and on the inspiring ideals of Mustafa Kemal Atatürk, one of the greatest leaders of this century. After the Republic was proclaimed in 1923, a program of far-reaching structural reforms was put into motion, aiming to better meet the challenges of the modern world. Despite the more immediate tasks at hand related to this social reorganization, the Republic did not neglect Anatolia's heritage and worked towards a synthesis of the cultures of different civilizations and peoples, adhering to the principle stated by Atatürk, "culture is the foundation of the Turkish Republic". At present, Turkey spares no effort in order to protect and enhance the treasures of past civilizations that grew on its land.

Another reflection of this cultural synthesis can be observed in the rich social structure of Turkey. Indeed, Turkey considers itself both European and Asian, and cherishes this diversity as an asset. The Turks have lived seven centuries of their history in Europe, and as a European power. Thus, not only have they shared and contributed to the contemporary culture of the West, but also have been influenced by it. Turkey can be regarded as a cultural bridge between the East and the West, enjoying a unique characteristic in this regard. This uniqueness is even more evident today in the social, cultural and political domains. Turkey has the longest-running democracy in its widening region, a secular system, and Turkish artists and artisans have developed styles of art that are uniquely Turkish and universal at once, blending together the traditional styles of the East with the practices of the West.

Artistically, in earlier times, Turkish craftsmen and artists showed their creative talents in architecture, music, poetry, textiles, wood and metal working, ceramics, glass making, jewelry, manuscript illumination, miniatures and calligraphy. The Ottoman Empire rapidly became the center of the Islamic artistic tradition because of its cultural endowment, constant contact with all the branches of oriental art, and exposure to the occident.

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The early years of the Republic witnessed a rapid flourishing of fine arts. Classical music, opera, theater and ballet, as well as plastic arts and painting took impressive strides. Literature attained new forms of expression. The film industry started to grow. Indeed, continuous progress was witnessed in all walks of cultural life. Today, this development has attained a certain maturity in art and culture.

Turkish painters and sculptors exhibit at home and abroad, and participate in many international festivals. Architects put their art to work throughout the world. Many Turkish musicians have gained international acclaim and record on world-wide labels.

Turkish cinema too has acquired international recognition, and promises a bright future. Works of Turkish writers are increasingly translated into other languages and appreciated for their distinct character.

 Turkey now holds more than a dozen international art and culture festivals each year, featuring prominent international artists and performers, attracting an audience from all over the world.

Now that cultural, social and economic issues are becoming increasingly important in international relations, Turkey, with this rich cultural heritage and potential, is prepared to play its role in the exciting journey that humanity will embark upon in the new millennium.

 

Arts

  A transition from Islamic artistic traditions under the Ottoman Empire to a more secular , Western orientation has taken place in Turkey. Turkish painters today are striving to find their own art forms, free from Western influence. Sculpture is less developed, and public monuments are usually heroic representations of Ataturk and events from the war of independence. Literature is considered the most advanced of contemporary Turkish arts. Many critics regard Kemal Tahir as the greatest modern Turkish novelist. Among authors translated into English is Yasar Kemal.


Music

A long history of influences from both Europe and Asia is reflected in the complexity and diversity of Turkish music. Turks are proud of their centuries-old musical tradition, which is similar to the music of nearby Islamic regions such as Saudi Arabia , Iran, and northern India . There is also a lively tradition of folk music, with many regional styles and contributions from ethnic minorities, including the Roma (Gypsies). A cosmopolitan nation, Turkey has also adopted classical and popular music from the West, and developed genres that combine Western, Asian, and Arabic elements. One kind of unaccompanied folk singing is the long melody , consisting of heavily ornamented songs influenced by Islamic chant, sung in free rhythm. The shattered melody style is in strict rhythm and is more suited as an accompaniment dancing. There is also a tradition of balladry and epics accompanied by the " baglama " (a lute; also called a saz ) and performed by itinerant musicians. Folk rhythms are often irregular, in a kind of limping pattern important to the coordination of group dance.   Folk instruments include the " zurna ", a double-reed oboe, the " kemence ", a bowed violin, and the " kaval ", an end-blown flute similar to a Bulgarian instrument of the same name. Many of these instruments are capable of producing drones, a musical aesthetic found both in western Asia and in much of the folk music of Europe. Melody instruments include the ney, an end-blown flute; the kanun, a trapezoidal plucked zither; the 'ud, a short-necked lute; the tanbur, a long-necked lute, similar to the folk baglama; and the rebab, a spiked-fiddle. When played in ensemble these are often accompanied by a small drum, called the def, and kettle drums, as well as vocal choruses. Music like this is often used by the Sufi Medlevi cult for sacred ceremonies, often accompanying their famous whirling dervishes . Centuries ago the music of the Ottoman Janissary bands, which is no longer played, greatly impressed Europeans, who incorporated several Turkish instruments, such as the cymbal and kettle drum, into European music. Composers such as Haydn, Mozart, and Beethoven also imitated the music in a style called alla Turca.

 


Libraries and museums

The Sultan's Palace (Topkapi Sarayi), in Istanbul, is now a museum housing the imperial treasures and relics of the prophet Muhammad. Ankara's Museum of Anatolian Civilizations has outstanding Hittite, Phrygian, and other exhibits. Among the largest of Turkey's many libraries are the National Library in Ankara and the Beyazit State Library in Istanbul.
 
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